Olive oil cans cut in half, arranged like two columns, almost to lend a religious flavor to the banality of everyday objects. Reminiscent of American pop art from the 1950s and 1960s, which used mass-produced objects from industrial society. A denial of the aesthetic value of art. Any everyday object is used provocatively. Dadaist culture, Duchamp’s Ready Mades (Bicycle Wheel, Bottle Drainer) had helped in this endeavor in 1915, bringing “Aria di Parigi” to New York that same year.